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Acting: A Confidence Game

By Bob Fraser
If you've spent any time waiting to audition with dozens of other actors going in before you you know what it is to feel the ebb and flow of that crucial feeling of  confidence.
Confidence is the actor's special need. We all know, almost as if by osmosis, that it is the key to building a successful acting career. Confident actors win auditions. Confident actors win audiences. Confident actors are more successful actors. Bottom line? Confidence is coin of the realm in show business. We know it.
Our problem is that no one is explaining how we can become confident.
Sure, we've heard all the stories Lincoln lost every election, Edison tried over a thousand times to invent the light bulb, Harrison Ford struggled for over a decade yeah, yeah, we know.
We get it. Persistence.
But, the thing those stories don't tell us is ... HOW?
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How did Lincoln, Edison and Ford face all that failure and remain confident? Did Lincoln stand in front of a mirror chanting that he was worthy while people told him to go back to his log cabin. Did Edison wear a t-shirt that said, "What I really want to do is invent?" Did Ford recite life-affirming haikus every morning of the ten years he worked as a carpenter and watched lesser actors rise to stardom?
We already know they did it ... we just don't know how they did it.
How people become confident is left out of these darn stories.
Well, as it happens, someone has written a book that is a seminal work in this area. (IMHO) Her name is Rosabeth Moss Kanter, she's a professor at Harvard Business School, and her book is called (cleverly enough) Confidence (Crown Business Press, 2004).
Kanter has taken the time to investigate the HOW of confidence and written it down in a clear, straight-forward way.
She started by interviewing lots of athletes and business leaders and in the resulting study she has managed to organize and illustrate the behaviors, habits, attitudes, skills and core beliefs of highly confident people. (That highly confident people are highly successful is a given ... again, we know it.)
The good news? Anyone can become confident.
The bad news? It takes a lot of work.
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‘Pick me up’ platitudes are fine, but the real work involved, in order to become confident, is what sets the pro apart from the 'wannabe.'  Ms. Kanter's premise is that confidence is not simply a frame of mind or attitude, but a collection of habits, characteristics and behaviors that set events in motion in one of two directions; winning and losing.
Winners act and react to their world in one way and losers in another. Most importantly she points out that there are concrete, identifiable, signposts along the way signposts which determine what path you are on.
For instance: Confidence that isn't supported by hard work and realistic expectations is nothing but wishful thinking. Success comes with its own problems of sustaining and improving results. Confidence is complicated and cannot be taken for granted. There are different kinds of confidence for different kinds of attainments. And those are just a few of the important insights that are illustrated by real-world examples in this study.
In order to help as much as I can, in a short article, here's a short list of habits I've paraphrased from the book. Habits that you will always see in confident (and therefore successful), oh, let's say professional actors, for instance:
1.    Confident actors are open to criticism or suggestions.
2.    Confident actors are honest about their own abilities and limitations.
3.    Confident actors seek the advice and input of others.
4.    Confident actors learn from their mistakes.
5.    Confident actors set realistic goals, and have realistic expectations.
6.    Confident actors are willing to work hard to achieve their goals, and DO.
7.    Confident actors take personal responsibility for their fate.
8.    Confident actors embrace new challenges and take reasonable risks.
9.    Confident actors replace bad habits with good habits
10.  Confident actors EXPECT good things to happen.
The opposite side of the theatrical mask is the perennial wannabe, who almost always exhibits precisely the wrong habits and behaviors in pursuing their acting career.
1.    Wannabe's react defensively to criticism
2.    Wannabe's are not honest about their abilities or limitations.
3.    Wannabe's shun the advice or input of others.
4.    Wannabe's tend not to learn much from their mistakes.
5.    Wannabe's set unrealistic goals and have unrealistic expectations.
6.    Wannabe's use problems (it's hard) as an excuse not to try.
7.    Wannabe's blame others for things that go wrong.
8.    Wannabe's avoid new challenges and want to play it safe.
9.    Wannabe's repeat self defeating habits over and over again.
10.  Wannabe's expect the worst and often get it.
If you are interested in learning about the "how" of confidence I recommend Ms. Kanter's book unreservedly. It's the solution for every actor who wants good instruction on having confidence and keeping it.
One caveat: what might look easy to do, on the surface, is often the hardest thing to actually attain.
But, I’m confident you already knew that.

NI


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DISCLAIMER & NOTICE All of the acting career advice and courses found on this site are meant for educational purposes only. Every effort has been made to give reasonable and competent advice and represent the products accurately, however Bob Fraser, Bob Fraser Productions, and Stage Door Media make no warrantee that the information provided on this site will be suitable or useful for all users. Any earnings discussed are not the norm and should not be construed to be typical.

The accomplishment of a professional acting career is not an easy task. Your results are a function of your actions. The author is not a lawyer, tax accountant or business advisor, so your decisions about those kinds of matters should be based on advice from a professional in those fields. Any error of fact, misspellings, or other errata are strictly unintentional. No portion of this site may be copied, transferred or reproduced by any means whatsoever without written permission of the copyright holder.

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